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共“38”条评论
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唐3
2024-11-22 06:22
返璞归真了，现代性阶位之论确实脱胎欧洲片，然而乡土化的戏谑又能看出不少坏猴子新导演的特质。所谓72变，宁浩回归到镜头前，算是带头来变。“拿影帝”的执念一旦成立，刘伟驰的自洽是简单而亲切的。闪到腰的艳遇引发的男性凝视毫不意外地存在，所幸为解构“天王”的权力身份提供了一个不自觉的窥视角度（被摇下来的洗车位），找齐了道德观感。宁浩仍在发觉国土上少见的新社会景观，并融入到强烈的戏剧中，使之溶解
心动小旬
2024-11-23 12:32
Perplexity, surrealism & absurdism in a musty, shabby & filthy atmosphere. Many signs inaugurate early on the sheer queerness of whatever revolves around Barton Fink - his own madman's facial expressions, a pitiful & empty hotel, faint sounds that obsessessively bother only him, dubious characters & personalities in Hollywood. But the viewer can still hang in this mess, and somehow (with a little effort) make some sense of what's happening. It's only towards the last third that the increasing contradictions explode into no(n)-sense. The only - and cheap - way to read the movie would be that most of these irreconciliable scenes are in fact dreams or hallucinations. Disappointing.
针不戳
2024-11-22 04:27